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ZOOMING WITH GEORGE CLOONEY ON HIS CLIMATE CRISIS DRAMA THE MIDNIGHT SKY


George Clooney Directs The Midnight Sky


George Clooney’s new film The Midnight Sky, carries forward his activism on behalf of our planet Earth. Clooney stars as Arctic researcher Augustine, and he produced and directed the film. Augustine’s left alone in his northern station when colleagues rush home for their last remaining days. The Earth’s being swallowed up by a toxic, man-made cloud. Augustine’s determined to warn astronauts heading home after living on a life sustaining planet, to turn back, that Earth is dying and begin anew. But amidst the doom, Clooney’s film offers a glimmer of hope. What She Said’ Anne Brodie sat with Clooney via Zoom and the cast Felicity Jones , David Oyelowo, Demián Bichir, Kyle Chandler, Tiffany Boone and Caoilinn Springall.










You deal with the apocalypse, but offer hope.


I think that the main objective in this thing, well something that happened along the way, about three weeks into shooting in Iceland, I get a call from Felicity and she says I have some awesome news to tell you. I’m pregnant and I did it this way, congratulations! We’re very happy, very excited for you. Then there’s this long pause and I go so what do you wanna do? I want to do it! She got a trainer, and she was working on the wires and we tried things; we tried to deny it for a minute, we tried to pretend that it didn’t happen. So, we were shooting around her and shooting things three times when we were going to do head replacement and then it really came down to the idea that the best versions of things are when you accept them, and you don’t see them as problems. So, once we decided, well people get pregnant, it happens in the world you know, and so suddenly it became that Wilbur who is her son, actually, who by the way should get a screen credit, Introducing Wilbur! became a character to us.










Felicity Jones in The Midnight Sky


The crew of the of the ship, all these five wonderful actors joined together in protecting her. It became a family became something was important so we could write scenes about naming the kid or you know doing the ultrasound with Tiffany which is I just think it’s just stunning scenes. They’re waiting for any sound at all sign of life and the only sign of life they’re getting is from inside Felicity. To me it’s infinitely more hopeful.











Felicity Jones and David Oyelowo


The film tackles profound ideas, many dark.


There was a real fight for the idea of whether or not this whole thing of mankind is worth the struggle and you feel as if when you see that it is. Also, I finished the film without the last five minutes. It’s a film about regret because of the character that I play but he gets redemption and I think redemption is a really big important thing that washes over us and gives us hope and all of those things. So, I found it to be very hopeful film and I found it to feel that way but we all felt like Felicity and what she was going to go through was all of our responsibilities. She was OK and everybody was alright everybody together which also helped it feel very real.


Felicity Jones – Initially I was very worried that I would get fired really and I was stressed when George just made me feel encouraging completely comfortable. I have to thank him that initially when we when I was trying not to look pregnant then, I was denying myself a lot of chocolate cake so when he said you can actually be pregnant in the film I was relieved.


Clooney -Oh, the wheels came off!


Jones– Exactly. Thank God! It was really instinctive and special process. What George was saying was a testament to his modernity to embrace what was happening and to embrace the truth of what was happening rather than trying to run away. It’s still pretty revolutionary, a pregnant woman in space is quite extraordinary.











Caoilinn Springall and Clooney in The Midnight Sky


What were some challenges of shooting in Iceland then “in space”?


So, they finished building the spaceship and then everybody came in it was like doing a different film. It was like doing The Revenant the first half of the year and Gravity for the second half. In a way, it was helpful. If you do your homework and you’re prepared at least you’re not bouncing back and forth between two different worlds that would have been much harder. I cut while I shot so I knew I had it and we wouldn’t have to go back and do any reshoots. Thank God because we finished in February and they shut us down.










I remember I got home to LA and Grant Heslov was with me, my producing partner of forty years. They said this COVID is really real, we have to shut things down for the editing room. But don’t worry, it only effects elderly people. I said thanks, yeah well, if it only effects elderly people. Yes anyone 55 and over. What?? Elderly. That was not a thrill for me!


The Midnight Sky is on Netflix Dec. 23rd.

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